PUBLICATIONS
2015
To quote this article: A. Mirabile, P. Moretti, F. Presciutti, N. Mancinelli, L. Cartechini, A. Sgamellotti, C. Miliani, Diagnosis of modern tracing papers and felt-tip pen inks for the conservation of architecture drawings: Lina Bo Bardi’s materials, TECHNART, Catania, Italy, April 27-30 2015, Poster 15
publication (.pdf)
2014
To quote this article: A. Mirabile, P. Moretti, F. Presciutti, The Elusive and Transitory Materials in Contemporary Drawings, Science and Art, The Painted Surface, p. 566-583, Royal Society of Chemistry, London, United Kingdom, 2014
publication (.pdf)
2014
To quote this article: A. Mirabile, P. Moretti, F. Presciutti, C. Miliani, A. Sgamellotti, Manjary, collage polimaterico di Beatriz Milhazes : identificazione dei materiali e conservazione, Proceedings of the IGIIC Conference, Lo Sato Dell’Arte 12, 2014, p. 87-93, Nardini Editore, Florence, Italy
publication (.pdf)
2013
To quote this article: A. Mirabile, Arte contemporânea na reserva técnica, Proceedings of the conference Transmuseu 2013, MaM de San Paulo, Brazil, 2013, online publication: http://mam.org.br/antonio-mirable-2013/
publication (.pdf)
2013
To quote this article: A. Mirabile, La conservation-restauration du dessin contemporain : éléments de réponse, Catalogue of the exhibition “Donation Florence et Daniel Guerlain, dessins contemporains”, p. 30-35, Editions du Centre Pompidou, Paris, France, 2013.
publication (.pdf)
2013
To quote this article: A. Mirabile, Il disegno contemporaneo visto attraverso il prisma delle tecniche artistiche e delle problematiche di conservazione, Proceedings of the Conference Cosa Cambia: Teorie e pratiche del restauro dell’arte contemporanea, p. 215-222, Skira editore, Milan, Italy, 2013
publication (.pdf)
2013
To quote this article: A. Mirabile, Contemporary Drawing Seen Trough the Prism of Artistic Techniques and Conservation Problems, Proceeings of the Conference Cosa Cambia: Teorie e pratiche del restauro dell’arte contemporanea, p. 215-222, Skira editore, Milan, Italy, 2013.
publication (.pdf)
2012
To quote this article: A. Del Bianco, P. Mazzoli, A. Mirabile, Il disegno contemporaneo senza cornice: Le problematiche conservative dei disegni su carta impregnata di cera di Sandra Vasquez de la Horra, soluzioni per un adeguato montaggio in sede espositive ed in fase di stoccaggio, Actes du colloque de l’IGIIC, Lo Sato Dell’Arte 10. November 2012, p. 77-85, Nardini Editore, Florence, Italy
publication (.pdf)
2012
To quote this article: A. Mirabile, Preservation of paper-based documents, The treasury of oriental manuscripts : Abu Rayan Al-Biruni Institute of Oriental Studies of the Academy of Sciences of the Republic of Uzbekistan, p. 123-141, UNESCO, Tashkent, Uzbekistan, 2012
publication (.pdf)
2012
TO quote this article: A. Mirabile, Preservation of the manuscript collection, The treasury of oriental manuscripts : Abu Rayan Al-Biruni Institute of Oriental Studies of the Academy of Sciences of the Republic of Uzbekistan, p. 142-149, UNESCO, Tashkent, Uzbekistan, 2012.
publication (.pdf)
2012
To quote this publication: A. Mirabile, From Acquisition to Exhibition Handbook on Policies and Procedures. Principle, recommendations and guidance for : Acquisition, Storage, Conservation and Communication, UNESCO, Tashkent, Uzbekistan, 2012
publication (.pdf)
2010
To quote this article: H. Daniel, A. Mirabile, Définir et conserver le dessin contemporain : technique et support en question, Support Tracé, n° 10, p. 4-11, 2010.
publication (.pdf)
2010
To quote this article: A. Mirabile, W. Wei, La misura della rugosità e della topografia della carta come metodo per distinguere le arti grafiche a tiratura multipla, Proceedings of the IGIIC Conference Lo Sato Dell’Arte 8. Septembre 2010, p. 73-80, Nardini Editore, Florence, Italy
publication (.pdf)
2010
To quote this article: A. Mirabile, A reserva técnica também é museu, Boletim da ABRACOR de juin 2010, pp. 4-9, Brazil.
publication (.pdf)
2008
To quote this article: A. Mirabile, La restauration du transparent, Catalogue of the exhibition “Les quatre saisons de Carmontelle. Divertissement et illusions au siècle des Lumières”, p. 34-41, Somogy, Paris, France, 2008.
publication (.pdf)
2006
To quote this publication: A. Mirabile, Conservation et manipulation de manuscrits, Series: Protection of Cultural Heritage, Vol. 2., UNESCO, 2006.
publication (.pdf)
2005
To quote this article: C. Benoit, G. Lagardère, A. Mirabile, Les quatre saisons de Carmontelle Restauration d’un transparent du musée de I’Île de France à Sceaux, Techné, n° 22, p. 70-73, RMN-GP, Paris, France, 2005.
publication (.pdf)
2013
Pour un plan patrimoine culturel et risques majeurs, Schéma directeur, Comité Français du Bouclier Bleu, Paris, France, 2013.
publication (.pdf)
2015
To quote this paper: G. Germinario, I.D. van der Werf, A. Mirabile, P. Moretti, C. Miliani, L. Sabbatini, Pyrolysis-GC/MS of modern inks:the felt-tip pens used by Lina Bo Bardi, Proceedings of the Confernce of the: Divisione di Chimica Analitica della Società Chimica Italiana, Trieste, 13-17 September 2015, p. 210, Poster 24
publication (.pdf)
2016
To quote this paper : A. Mirabile, Constesti storici, fabbricazione, e degrado delle carte da lucido, Proceedings of the Conference: Carte lucide e carte trasparenti nella pratica artistica tra otto e novecento: uso, conservazione e restauro, Tortona, 3-4 September 2014, p. 27-42
publication (.pdf)
2016
To quote this paper : A. Mirabile, Il disegno di architettura su lucido: L'esperienza al Musée National d'Art Moderne, Centre Pompidou a Parigi, Proceedings of the Conference: Carte lucide e carte trasparenti nella pratica artistica tra otto e novecento: uso, conservazione e restauro, Tortona, 3-4 September 2014, p. 149-160
publication (.pdf)
2018
This paper can be quoted as: D. Saviello, M. Trabace, A. Alyamia, A. Mirabile, R. Giorgi, P. Baglioni, D. Iacopino, A combined Surface Enhanced Raman Spectroscopy (SERS)/UV–vis approach for the investigation of dye content in commercial felt tip pens inks, Talanta 181 (2018) 448-453
publication (.pdf)
2018
This paper can be quoted as: A. Mirabile, S. Brunetti, Compte rendu du colloque Nano Systèmes : recherches et applications su le patrimoine culturel, La Venaria Reale, Turin, Italie, 11-12 mai 2017, Support Tracé, n° 17, p. 184-186, 2017