antonio mirabile

MEDIUM AND MEDIA IDENTIFICATION IN THE FIELD OF CONTEMPORARY DRAWING (2011 - 2014)

Identification and characterization of mediums and medias used by...

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PUBLICATIONS

2013

To quote this article: A. Mirabile, Arte contemporânea na reserva técnica, Proceedings of the conference Transmuseu 2013, MaM de San Paulo, Brazil, 2013, online publication: http://mam.org.br/antonio-mirable-2013/

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2013

To quote this article: A. Mirabile, La conservation-restauration du dessin contemporain : éléments de réponse, Catalogue of the exhibition “Donation Florence et Daniel Guerlain, dessins contemporains”, p. 30-35, Editions du Centre Pompidou, Paris, France, 2013.

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2013

To quote this article: A. Mirabile, Il disegno contemporaneo visto attraverso il prisma delle tecniche artistiche e delle problematiche di conservazione, Proceedings of the Conference Cosa Cambia: Teorie e pratiche del restauro dell’arte contemporanea, p. 215-222, Skira editore, Milan, Italy, 2013

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2013

To quote this article: A. Mirabile, Contemporary Drawing Seen Trough the Prism of Artistic Techniques and Conservation Problems, Proceeings of the Conference Cosa Cambia: Teorie e pratiche del restauro dell’arte contemporanea, p. 215-222, Skira editore, Milan, Italy, 2013.

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2012

To quote this article: A. Del Bianco, P. Mazzoli, A. Mirabile, Il disegno contemporaneo senza cornice: Le problematiche conservative dei disegni su carta impregnata di cera di Sandra Vasquez de la Horra, soluzioni per un adeguato montaggio in sede espositive ed in fase di stoccaggio, Actes du colloque de l’IGIIC, Lo Sato Dell’Arte 10. November 2012, p. 77-85, Nardini Editore, Florence, Italy

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2010

To quote this article: H. Daniel, A. Mirabile, Définir et conserver le dessin contemporain : technique et support en question, Support Tracé, n° 10, p. 4-11, 2010.

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2015

To quote this paper: G. Germinario, I.D. van der Werf, A. Mirabile, P. Moretti, C. Miliani, L. Sabbatini, Pyrolysis-GC/MS of modern inks:the felt-tip pens used by Lina Bo Bardi,  Proceedings of the Confernce of the: Divisione di Chimica Analitica della Società Chimica Italiana, Trieste, 13-17 September 2015, p. 210, Poster 24

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2016

To quote this article : S. Garrappa, G. Germinario, I.D. van der Werf, A. Mirabile, L. Sabbatini, Multi-analytical study of artist felt-tip pen ink,  Proceedings of the Conference IMEKO, Torino, Italy,  19-21 October 2016, pp. 136-139

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2017

To quote this paper : G. Poggi, R. Giorgi, A. Mirabile, H. Xing, P. Baglioni, A stabilizer-free non-polar dispersion for the deacidification of contemporary art on paper, Journal of Cultural Heritage, 26, 2017, p. 44-52, Elsevier Masson France

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2017

To quote this article: A. Alyami, D. Saviello, M.l A.P. McAuliffe, R. Cucciniello , A. Mirabile, A. Proto, L; Lewis, D. Iacopino, Chemically Stable Au Nanorods as Probes for Sensitive Surface Enhanced Scattering (SERS) Analysis of Blue BIC Ballpoint Pens, Nanoinnovation 2016, AIP Conf. Proc. 1873, 020003-1–020003-9; doi: 10.1063/1.4997132 Published by AIP Publishing. 978-0-7354-1553-9, 020003-1 - 020003-9

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2017

To quote this article: S. Stoisa, S. Vasquez, O. Chiantore, F. Comisso, A. PIccirillo, A. MIrabile, T. Poli, F. Zenucchini, Il recupero della leggibilità di tre opere di Matheus Rocha Pitta in cemento armato e carta di giornale, papers of the IGIIC's conference, Lo Sato Dell’Arte 15. 12/14 October 2017, UNIBA, Bari, p. 515-522, Nardini Editore, Florence, Italy, 2017

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2018

This paper can be quoted as: D. Saviello, M. Trabace, A. Alyamia, A. Mirabile, R. Giorgi, P. Baglioni, D. Iacopino, A combined Surface Enhanced Raman Spectroscopy (SERS)/UV–vis approach for the investigation of dye content in commercial felt tip pens inks, Talanta 181 (2018) 448-453

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